After Mel Gibson's spectacular fall from grace, I left it a while before putting one of his films on. Then, one evening I felt like watching the original Lethal Weapon and couldn't finish it. The fact Gibson is playing quite an unhinged character coupled with his very public breakdown, I felt like the scene where he puts the gun in his mouth was real life B-roll.
Monday, April 25, 2011
Film Review: The Rookie (1990)
After Mel Gibson's spectacular fall from grace, I left it a while before putting one of his films on. Then, one evening I felt like watching the original Lethal Weapon and couldn't finish it. The fact Gibson is playing quite an unhinged character coupled with his very public breakdown, I felt like the scene where he puts the gun in his mouth was real life B-roll.
Sunday, April 24, 2011
Nicolascagelback
Shooting Fish
Film Review: Black Dynamite
A spot on parody of 70s Blaxploitation films such as Shaft and Super Fly and stars Michael Jai White as the titular Black Dynamite - Kung Fu master and all around ladies man.
The plot, such as it is, concerns the killing of Black Dynamite's brother Jimmy then leads off into various plots concerning orphans on smack and whiskey that reduces penis size.
The film is a never ending set of jokes about the genre and nails each one perfectly. Not to spoil any of them but you will need to keep an keen eye on the screen as lines are fluffed, equipment gets in the way, action sequences are bodged and the most blatant example of (fake) product placement is revealed.
And the climactic fight (after a trip to Kung Fu Island that is) has to be seen to be believed.
Black Dynamite is an absolute blast and Jai White and the rest of the cast do the best thing they can in this kind of environment - play it totally straight.
Curiously it's taken since 2009 for the film to hit these shores and only is being released on DVD. But when the film is supposed to look like it was made in the 70s...is there any point in Blu-Ray sprucing it up?
****
A spoof film that is smart AND funny? You better believe it sucka! The best example of it's kind since Airplane. Dig it?
Film Review: Every Which Way But Loose
I went into Every Which Way But Loose with a kind of youthful exuberance. I remember it from when I was a kid and it was on TV. Clint Eastwood was in it, he had an orangutan, there was a catchy title song - brilliant!
So it came up next as my next Eastwood film (I bought the Warner Brothers 35 Years 35 Films boxset at the start of December and have been watching one a week) I was quite looking forward to it, for what it was. Harmless family fun.
How wrong I was. This is a spoiler strewn run through of what happened in it.
Clint Eastwood plays Philo Beddoe who drives trucks and does bare knuckle fighting for money. His Mum needs to pass her driving test but doesn't like her glasses. He has a friend Orville too. And Clyde the orangutan who he won in a fight against four people. So the film starts and he already has Clyde.
One evening Philo is down the local bar and falls for a girl - Lynn Halsey-Taylor (played by then Eastwood partner Sondra Locke) who is singing in a country band. He buys her a drink and a romance blossoms.
Meanwhile some bikers throw a fag end at Clyde and Philo chases them. Angering the biker gang they are part of. Philo also starts a bar brawl and two of the people he punches are cops.
Clyde drives a vehicle a bit.
Then Lynn vanishes from the scene leaving Philo a short note saying sorry and goodbye. So he decides to track her down and follow her. At the same time the biker gang decide to follow Philo as he leaves to find Lynn. The cops from the bar fight decide to take some leave so they can go and kill Philo. Kill him.
So everyone is off looking for Lynn or Philo. Obviously the latter takes Clyde and Orville who pulls a girl working at a fruit stand even though he told someone she has the clap.
Oh yeah there is quite a few sexual references and swearing in this family romp.
Meanwhile we go back to Lynn time and again, and each time she is being chatted up by a bloke, and then they buy her a drink with the strong implication sex will follow. So you start to think - "Is she a hooker then? Because she mentioned a bloke she is 'with'" but then you remember she was with Philo and he would have noticed. So she likes sex with strangers, and has a really bad attitude.
The biker gang fail repeatedly to kill Philo, as do the off duty cops. Clyde flips them off a few times.
Philo finally tracks her down and they have sex. No money changes hands.
About the same time and in between more bare knuckle fights (Philo is looking to fight the bare knuckle champ Tank Murdock soon) time is found for our hero to break into a zoo with Clyde so he can get his monkey end away.
Anyway Lynn vanishes again and Philo sets about tracking her down which he eventually does and catches her kissing another (different) bloke. He confronts her. She starts going mental. Then a guy in a pimp suit turns up - she was the bloke she was with! He is totally dressed as a pimp! What is going on? Is she a goodwill hooker? Has Philo forgotten she is actually a prostitute? Neither it seems, she carries on losing it. Starts crying. Hitting Philio, bloodying his nose. She collapses into a heap at his feet, still crying.
We cut to the climatic fight with Tank Murdock. Who sadly looks like a fat nonce. Philo kicks the hell out of him, then for reasons that are never explained, decides to lose and goes down in one punch.
Then Philo, Orville, Orville's girlfriend and Clyde go home. End titles.
WUT?
We never find out what happened about either situation! It was totally messed up. It was like David Lynch directed it at times. Just made no sense. And the title! It was like they wrote a song and decided to do a film of it. Only not.
Anyway there is a sequel 'Any Which Way You Can' and Lynn is in the cast, and is referred to as Philo's "Gal" on the blurb! How did that happen exactly? Because if a girl starts crying and hitting, and finally has a totally has a nervous breakdown at my feet - WHILE HER PSEUDO PIMP WATCHES...I kinda cut my losses. Plenty more fish and all that.
Anyway director James Fargo went on to direct the equally baffling Chuck Norris film 'Forced Vengeance' (although that is my favourite Chuck film for personal reasons) and Clint somehow managed to emerge with his career and dignity intact.
No chance they will ever remake it though.
***
One of those films that you are baffled at every stage of the way. Nothing makes any sense, the apes hardly in it really considering he was the selling point and just features a really messed up romantic storyline which gets a bit awkward to watch by the end. Why 3 stars? I've been thinking about it all day and I'd watch it again. Plus I have the bloody song stuck in my head.
Film Review: Hatchet II
The first Hatchet film was an absolute blast. I originally watched it as it featured Robert Englund (Freddy), Kane Hodder (Jason) and Tony Todd all in the same film but found a film that was fresh, funny, gore -packed and (this is a first for horror films it seems) had a cast you liked and didn't really want to see killed off.
Hatchet 2 continues the story of Victor Crowley (Hodder) who was accidentally killed by his father (Hodder sans makeup) whilst 3 kids burnt his house down. Now Crowley stalks the swampland picking off whoever dares to cross his path with his handy array of tools (namely the titular Hatchet).
So almost five years later here is Hatchet 2 and it starts exactly where the last left of. To the second, so you really have to watch the original to get a good understanding although there is a good portion near the start given over to the MacGuffin.
The cast again resembles a horror movie convention - Tony Todd gets a much expanded role, Kane Hodder appears in two different roles again but this time we are joined by Tom Holland (Director of Child's Play and Fright Night), R.A. Mihailoff (Leatherface in the third Texas Chainsaw Massacre film), and makeup legend John Carl Buechler.
The first half of the film is the problem sadly. Once we get out of the swamp and back to New Orleans we, as mentioned, get told the whole back story again, then meet the new lambs to the slaughter. Again due to the film taking a while to get going the new characters don't have enough time to develop as last time, and the hilarious script has to take a back seat (there are still some great lines though) in order to get the plot and our cast back to the swamp land.
But when we get there the film is an absolute joy. The kills flow fast and still manage to be original, and like the original there is no cutaways, no MTV style editing just old school American horror.
I'm not going to spoil any of the ways the cast are despatched here but suffice it to say that Victor Crowley got a B&Q gift voucher for Christmas.
It would be interesting to see if a third Hatchet film happens as it was made painfully clear during the film that you can never really kill Crowley (that doesn't stop them trying though) but personally I'd like to see what else writer/director Adam Green can do in the horror genre.
***1/5
A tiny step down from the original, lacking its likeable cast and humour somewhat but when the kills start they don't stop. A worthy sequel.
TV Review: Freddy's Nightmares
And you thought Nightmare On Elm Street was just a film franchise! You are all sadly mistaken.
While watching the superb 'Never Sleep Again' Elm Street documentary I was reminded that in the late 80s a TV show surfaced called Freddy's Nightmares. While the show was quickly glossed over on the documentary I thought I would have a look at the first three episodes.
The show is kind of like Tales From The Crypt, with Freddy (Robert Englund) popping up now and again throughout the episode. As I discovered this was purely to try and keep the viewer interested. All the stories are set in Freddy's old stomping ground of Springwood of course.
The first episode 'No More Mr. Nice Guy' actually is a Freddy episode and tells the story of how Freddy was burnt by the angry mob of Springwood parents. This part of the show is dealt with pretty quickly and then moves on to what becomes the basis of the show - a character being involved in a 'nightmare' scenario. In this case the police officer who set Freddy alight (Ian Patrick Williams) starts having nightmares after it happens which leads to a climatic nightmare in a dentist. Even with Texas Chainsaw Massacre and Poltergeist director Tobe Hooper at the helm the whole thing is just totally amateurish, with terrible acting (and yes I am taking into account the acting in the Elm Street films saying that) but it does effectively tell the story so you do have a bit of the Elm Street mythology attached.
Not so for second episode 'It's A Miserable Life'. The plot revolves around Bryan (John Cameron Mitchell) who while doing a graveyeard shift at his Dads burger bar is the victim of a drive by shooting. The first half of the episode revolves around his bizarre nightmares before he dies, then the second half is devoted to the nightmares of his girlfriend Karyn (Lar Park-Lincoln from Friday the 13th Part VII and House II) as she is also shot. Not entirely clear if her character dies, but Freddy seems to have something to do with it. He is dressed up as a surgeon for his brief appearances. It's pretty bad. Direction by Tom McLoughlin who directed Friday the 13th Part VI.
Things actually take a step up in the third and final episode 'Killer Instinct' which involves a high school runner (Lori Petty) who comes into the possession of a magical talisman that when she look into it and imagines something happening...it happens. Yeah, its absolute garbage but is quite entertaining with a bit of gore (severely lacking from the previous episodes), a funny decapitation and a OTT cameo from New Line Cinema boss Robert Shaye. Sadly it all falls apart by the end, which really doesn't make much sense at all.
Freddy's Nightmares somehow managed to run for 2 seasons with over 40 episodes being shown before the plug was pulled (Hell, even Brad Pitt turned up in one) but you can see why they only ever put 3 out on DVD - almost a warning.
**
Mostly dreadful stuff, but the extra star is adding that bit of back story to the Freddy mythology and the entertaining moments in episode three. One for die hard Freddy Fans only though.
Film Review: The Fighter
Another film gunning at a big selection at this years Oscars is The Fighter. Like the titular character it's quite the underdog but I wouldn't be surprised if we get an upset victory or two...
The Fighter tells the true story of Micky Ward (Mark Wahlberg) - an up and coming boxer trained by his brother Dicky Eklund (Christian Bale) - a once shining star in the boxing world after once knocking down Sugar Ray Leonard.
Eklund is totally strung out on crack and is being filmed by an HBO team for a documentary on 'his comeback', or more accurately drug addiction. Ward is also helped by his slightly pushy mother Alice (Melissa Leo).
The Fighter is absolutely superb, with great performances from the entire cast - especially Bale who gives one of the turns of his career as Dicky. Leo is also brilliant as Alice, as is Amy Adams as Micky's girlfriend Charlene.
There are many themes similar to Oscar here - boxing, real life, inspirational but it's not an easy road we are taken on by director David O. Russell (Three Kings). The family dynamic is incredibly dysfunctional - the drug addict brother, the selfish mother and the slightly mad 7 sisters, the kind of darkness at times is reminiscent of a Darren Aronofsky piece (which isn't surprising as he executive produces).
Another great performance is from Wahlberg in the lead role. People seem to forget what a brilliant actor he can be. He may pick some dodgy films from time like The Happening but his turns in The Departed, The Lovely Bones and now The Fighter have all been award worthy and he was totally overlooked this time.
The fight sequences are superb, and like all great boxing films you will be on the edge your seat for the final bout.
Highly recommended.
*****
A truly superb film with amazing performances from the whole cast, especially Christian Bale who must be a lock for Best Supporting Actor for his crazed turn as Dicky. Emotional, heart warming and dark. I wasn't believing this when I saw the posters but this really is the best boxing film since Rocky Balboa's prime!
Film Review: The Karate Kid (2010)
On first hearing about a remake of 1984's The Karate Kid - a film I grew up watching and loved I was filled with hostility. Hostility and rage. So I never bothered with it at the cinema.
Then, very slowly I started to hear one good thing after another about it from people. So after seeing it for cheap in Morrison's I decided to take the plunge...
Let's get one thing straight from the outset: this is NOT a remake. It's just a film with a few similar themes in really. It does get a bit reminiscent of the original near the end but for the most part they are two very separate entities (There are several nods to the original - notably a very amusing twist on catching the fly with the chopsticks).
The story concerns Dre Parker (Jaden 'Son Of Will' Smith) who, along with his mother (Taraji P. Henson) have to move to China. Once there Dre has trouble fitting in at school and is bullied by the other kids. Like bullied with kung fu bullied.
Dre befriends apartment building handyman Mr. Han (Jackie Chan) and after he saves Dre during a run-in with the bullies, he starts teaching him kung fu.
That is another big difference in the film. The title Karate Kid is quite pointless as it's actually Kung Fu throughout. That point is actually mentioned in the film, but Karate Kid rolls off the tongue better than Kung Fu Kid with it's alliteration and that.
So Dre winds up in a tournament, falls for a local girl and does loads of cool looking training which all leads up to the big competition.
So here is what I was not expecting - the film is great. Jaden Smith is one of the more likeable child actors at the moment and Jackie Chan is superb. The scene where we discover some of Han's backstory really shows what a great actor he is. Something we rarely get to see.
Another worry I had was the length of it - 2 hours 10 minutes! But it is incredibly well paced - it's almost an hour before we hit any training exercises but it certainly doesn't feel like it.
As it is a Karate Kid film you get all the epic training montages and the big tournament at the end and it's all as exciting and as the original. Something I thought I'd never say!
****
A surpisingly good film. With only a few similarities to the original to speak of this is truly a film that stands on it's own.
Film Review: Visiting Hours
The first in an ongoing series of reviews of 80s horror films, my first is a look at 1982 'slasher' film Visiting Hours. A film whcih briefly appeared on the infamous 'Video Nasty' list in this country.
Lee Grant plays Deborah Ballin a controversial TV host who defends the rights of battered women - one in particular who killed her husband in self defence. This attracts the very unwanted attention of Colt Hawker (Michael Ironside) who attacks Ballin in her home. Not getting the job done, Hawker follows her to the hospital where she is staying to finish the job.
At times Visiting Hours rises above the usual mindless slasher fare of the time. But every time it starts to make headway, it shoots itself in the foot - the question of self defence with abusive husbands is skated around briefly several times in the film but it is never addressed properly, Colt Hawker is given a back story to explain his deranged ways but it never gets past much more than his Mum through a pan of chip fat at his Dad's face once.
William Shatner also appears in a much smaller appearance than any advertising for the film makes out as Ballin's producer. Again the film does it again - it's never stated what his character is to Ballin. A producer? A lover?
On the plus side Ironside is extremely creepy as the serial killer, it's just a shame he isn't in a better, or more well written, film.
As for being a Video Nasty? Like films like The Exorcist you have a hard time seeing why in this day and age.
**
A unsettling performance from Michael Ironside beside, this reeks of wasted opportunities from start to finish.
Film Review: Return To Sleepaway Camp
The original Sleepaway Camp films hold a special place in my heart. The first was your usual mildly entertaining Friday the 13th style 'Kids being picked off at a Summer camp' generic 80's horror till the ending. An ending so out there I still shake my head in amazement.
The sequels (Unhappy Campers and Teenage Wasteland respectively) were way before their time. Smarter than anything similar and laden with in-jokes they were almost a test balloon for the Scream films that would follow just under a decade later.
So fast forward in 2008 and original writer/director Robert Hiltzik decides to get the band back together for a film that will disregard the two sequels. Sadly something is sorely missing...
I can see what he was trying to do (which is quite annoying) but something just does not translate. The whole thing does still have an 80's vibe to it but something doesn't gel. This is compounded with the casting of Michael Gibney as Alan - the 'Angela' role of the original.
The problem is when Angela was bullied back in 1983 she didn't deserve it at alL. Alan on the other hand does. In spades. In the years I've watched films I have rarely seen a character as unlikable and unsymphathetic as his. It doesn't help that his acting is even worse than the rest of the cast (and he hasn't had a acting job since, to no surprise).
As for the rest of the cast - former Soprano cast member Vincent Pastore shows up as Frank who runs the camp and loves his parrot and Isaac Hayes plays The Chef, a joke that would have been a lot better if he'd had more than one scene.
Cast members from the original return, the most entertaining of all being Paul DeAngelon as Ronnie who hilariously is still wearing the muscle vests he did 25 years prior. And is still pretty hench.
Sadly, the film drags something chronic for most of the first hour and the blame for this lays solely at the feet of Alan. At one point the character doesn't appear on screen for half an hour and the movie picks up so quickly you'd think you put something else on.
As it is the sequel to the original it does contain the big twist ending. And it is fairly entertaining, but you will probably guess it ten minutes before the end.
Whatever my opinions on it are - it has done enough business to warrant another sequel due out in October which will focus more on the original cast (and may be in 3D) so I remain hopeful for that one. Time will tell.
*1/2
A massive dissapointment. An attempt to bring back the vibe of the original has good intentions but is run off the tracks by a hideous main character. Quite what happened with that casting will remain a mystery I guess. You want a Sleepaway Camp sequel? Check out the 80's ones.