Sunday, June 17, 2012

Film Review: Two Evil Eyes

Two Evil Eyes is a film I have been meaning to watch for some time now. A collaboration between horror legends George A. Romero and Dario Argento, who both take a short story from Edgar Allen Poe as their inspiration (The Facts In The Case Of Mr. Valdemar and The Black Cat respectively), the overall film really is a game of two halves. Let's take a look at them both separately...

The Facts In The Case Of Mr. Valdemar


Now, I'm a huge fan of Romero, and totally expected this to be the superior part of the film, but what I got was 52 minutes of melodrama, with some admittedly impressive scenes chucked in.

Mr. Valdemar has seen better days...
A wife (Adrienne Barbeau) colludes with a doctor (who she is also having an affair with, and played by Ramy Zada) to hypnotise her deathbed bound husband (Bingo O' Malley) into signing over all his money to her. Things become unstuck though when the husband dies whilst still in a trance, and becomes stuck between this world and the next, haunting the wife and doctor whilst his body lies in a freezer in the basement...

Half of that synposis even sounds like a daytime soap opera, and it does come across like that times, despite the best efforts of Barbeau, who is great in the lead, and a couple of nicely shot scenes by Romero. It does also have Tom Atkins crop up near the end, unsurprisingly playing a cop, for a nice and gory conclusion to the story. Not Romero's greatest work, not his worst either.

The Black Cat


When it comes to Dario Argento, I am a bit of a novice. Several years ago I tried to watch some of his work, and I'm not going to lie to you, dear reader, but I didn't have a clue what was going on. Now several years later, I loved his part of Two Evil Eyes, and fully intend to go back through his work again, now I have a greater appreciation of all things horror.
"Give us a smile love!"

In The Black Cat, a forensic photographer (Harvey Keitel) starts to get a resentful and angry when his girlfriend brings a stray cat home. Multiple (unexplained) attempts to do the cat in follow, and the photographer grows more and more deranged, as the cat always crops back up again...

Some of The Black Cat doesn't really make that much sense on film, such as why Keitels character is that annoyed by the cats presence, or how the passage of time manages to pass THAT quickly (a book is seemingly published in record time), but Argento's fantastic shooting and Keitels frankly batshit crazy (or catshit in this case) performance make it all worthwhile.

The Black Cat also contains some truly memorable scenes, including a naked woman who has been cut in half with a pendulum slicer (we get that mere seconds in), another whose teeth have all been removed whilst their mouth has been held open by metallic grips and a truly grisly 'behind the wall' discovery. Great stuff.

The Facts In The Case Of Mr. Valdemar - **
The Black Cat - ***1/2


Overall - ***


A below-par first story made up for with a crazy second, even with it's plot holes. Underrated stuff overall.

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